Here at Griffin Theatre Arts C.I.C. we committed to entertaining, educating and inspiring through the arts. We are therefore delighted to offer excellent, free resources for schools and families and hope you enjoy the ideas, exercises and activities we have provided.
Griffin Theatre Arts C.I.C. have been delivering Charlotte’s Web workshops for Key Stage 1 and Key Stage 2 pupils throughout Derbyshire as part of the Derbyshire County Council’s Derbyshire Literature Festival. We have had a brilliant time and are delighted to share our workshop plans and resources for you to use and enjoy! We’d love it if you’d like to share any pictures or examples of work inspired by our Charlotte’s Web workshops. So if you have anything that you’d like to share, or if you have any questions, please contact us on either 0114 201 3848 or by emailing info@griffintheatrearts.com
| Workshop Materials In order to deliver this workshop you will need the following:
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Discovering Stories – Warm Up:
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Introducing Charlotte’s Web:
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The Zuckerman’s Farm
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The Arrival of Wilbur onto the Zuckerman’s Farm:
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Danger and a Solution.
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The County Fair
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The County Fair
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The End
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Follow up activities…
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| Thank you for taking part in this Griffin Theatre Arts C.I.C. drama workshop – we hope you had fun! For further information about Griffin Theatre Arts visit www.griffintheatrearts.com, email us on info@griffintheatrearts.com or join us on facebook or twitter @griffintheatrea |
Griffin Theatre Arts C.I.C. have been delivering Charlotte’s Web workshops for Key Stage 1 and Key Stage 2 pupils throughout Derbyshire as part of the Derbyshire County Council’s Derbyshire Literature Festival. We have had a brilliant time and are delighted to share our workshop plans and resources for you to use and enjoy! We’d love it if you’d like to share any pictures or examples of work inspired by our Charlotte’s Web workshops. So if you have anything that you’d like to share, or if you have any questions, please contact us on either 0114 201 3848 or by emailing info@griffintheatrearts.com
| Workshop Materials In order to deliver this workshop you will need the following:
|
Warm Up Exercises
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Introducing Stories
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The Zuckerman’s Farm
Add in a couple more actions representing life on the farm: Repeat this several times, ensuring at least one action that involves movement across the room, several involve sound, one involved going to a lower level (sitting, lying etc…) Through this process, constantly recap during the actions. Then once you have worked out all the actions. The workshop leader repeats them in a jumbled up order. If you wish, you can add a competitive twist, by taking out the last one to do the action. |
The Arrival of Wilbur onto the Zuckerman’s Farm
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Wilbur in Danger
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The County Fair
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The End – Charlotte’s Game.
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Ideas for follow up activities
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| Thank you for taking part in this Griffin Theatre Arts C.I.C. drama workshop – we hope you had fun! For further information about Griffin Theatre Arts visit www.griffintheatrearts.com, email us on info@griffintheatrearts.com or join us on facebook or twitter @griffintheatrea |
Animal fact cards download - click to download
Newspaper Article - click to download
The Letters
January 1982
Dear John,
Well it sounds like you had quite a trip over on the plane – bumped up to first class and everything. Me and your Uncle Henry have never even been on one, but I suppose we are a lot older than you, and we have the farm to look after so going so far isn’t really on. Those sheep won’t feed themselves! But I love our farm and wouldn’t have it any other way.
I’ve been around farms all my life, mine and your uncles when we got married, and when I was a kid, my mum and dad’s farm, plus my uncle and aunts. My uncle and aunt, the Zuckermans had a brilliant farm, you’d have just loved it!
They had a farm house with a huge fire place, when you could kick your shoes off after a hard day’s work and get all toasty. There were fields, and a farm yard. Plus my favourite place, the barn – It was very old and very large. It smelled of hay and it smelled of manure.
Oh and the animals, there were lots of those too horse, cows, geese, sheep, pigs and of course the farm dog – there were even some rats!
That was a long time ago, but I wonder if you can imagine what it must have been like on that big beautiful farm?
Take care, and all my love,
Great Aunty Fern
March 1982
Dear John,
I am glad to hear from your last letter, that you’re really settling in there and I am so happy for you. We all really miss you here though. Thinking about you moving over there, starting a new life and making lots of new friends reminds me of a friend that I once had. Don’t laugh, but he was quite an unusual friend, you see he was a pig! But he was some pig, he was brilliant and his name was Wilbur.
He was a very special pig, you see he was a runt of a litter, that means that he was the smallest pig of the whole lot of them (all 8), because he was so small we weren’t sure he’d make it to be a grown up pig, but I begged and begged my Dad and he let me keep him! We were excellent friends and used to play together every day; Wilbur was full of energy and loved exploring and learning!
One day, I was told that he was too big to live with us anymore, and we sold him to my uncle and aunt, the Zuckermans. I was so sad to see him go, I cried and cried to think of Wilbur at their farm, without me, in a strange place, poor Wilbur. Although he still managed to get up to mischief, one day he escaped and had the whole farm chasing him, before my uncle managed to tempt him back into the pig pen with some slops (that’s the food that pigs eat – it’s made up of all sorts of leftovers, including soggy cornflakes).
Can you imagine what it must have been like for Wilbur on that first night in the old Barn? Or the chaos caused by Wilbur running all over the farmyard!
Anyway, that Apple Pie won’t bake itself! I’d better be off, but take care and do write soon, I love your letters.
Lots of Love,
Great Aunty Fern
May 1982
Dear John,
Thank you for your last letter, it was as always wonderful to hear from you. I’d love to tell you more about Wilbur and his friends, he was after all Some Pig!
Well, such an extraordinary pig as Wilbur, had to have some terrific friends, and Wilbur did, his best friend (after me of course) was Charlotte – a spider. Charlotte and Wilbur couldn’t really have been more different, she was dark, sleek and lived in a web and he was round and wobbly and lived in mud. But they were kind, friendly and cared very much for each other. So when Wilbur, found out from the oldest sheep on the farm (who really was quite mean), that the farmers were planning on turning him into bacon and ham, of course he went and told Charlotte.
Now Charlotte was very, very , very clever and came up with a brilliant plan to save Wilbur, and with some help from the most unlikely of animals (the farm yard rat, Templeton), Charlotte managed to save Wilbur by weaving into her web brilliant things about him. The first thing she wove was “Some Pig”, and then “Terrific”.
It was AMAZING.
People came from miles around to admire Wilbur and look at the magical words woven into the web above his bed. In fact it worked so well, that instead of turning Wilbur into Pork Chops, the Zuckerman’s took him to the county fair.
Right off to milk those cows and feed the dog!
Love and affection,
Great Aunty Fern
August 1982
Dear John,
It’s a beautiful sunny day here on the farm, and the geese are parading around the farmyard like their ladies taking a walk in a posh park! Not too sure the farm horses like it though – they keep putting their heads in the water butts!
A day like this, reminds me of the day of the county fair. I went with my whole family, and it was scorching hot that day that our ice creams melted before we could even eat them. But even so it was terrific fun. I remember your Henry was there were his mum and dad too, and he asked me to go on the big red Ferris wheel – it was such fun!!!
Wilbur and Charlotte had come too, and even Templeton the rat! Wilbur had his own pig pen, and he had been scrubbed with Buttermilk by Mrs. Zuckerman and gleamed in the bright sun. He was ready for the judges. If he won an award he would be safe from becoming bacon forever!
Charlotte decided to make sure and she weaved the word Humble above him. It was a brilliant choice, Charlotte definitely thought so because that was exactly what Wilbur was, humble. When Templeton the rat, asked Charlotte what it meant, she told him “it means “not proud” and it means “near the ground” and that’s exactly what Wilbur is”.
Charlotte was right, it was a brilliant plan. The judges awarded Wilbur a SPECAIL PRIZE and gave the Zuckerman’s £25 as a prize! Wilbur was saved!
Well, I’d best go and put some slops out for the pigs, they are Wilbur’s grandchildren after all!
Lots of love always,
Your Great Aunty Fern
Please note. The County Certificate and Animal Cards will be uploaded shortly. However, please feel free to contact us on info@griffintheatrearts.com to request a copy to be emailed to you.
How to make your own Charlotte A. Cavatica!
Take five pipe-cleaners – We’ve used purple, but she can be whichever colour you like!)
Twist them together in the middle a few times.
Fold the ends together and twist off again an inch or so from the previously twisted-off middle. That forms the belly.
Bend back eight of the ten legs/feelers. Separating two from the rest, and wrap these around the second twist point a couple of times until they are shorter and you have the top part of Charlotte’s body. The ends should now start to look like legs and feelers – bend them up to look even more real!
Take two googly eyes (you can get these from a craft store or from W H Smiths), and stick onto the face to create Charlotte’s eyes. Well done, you have made your very own Charlotte!
We’d love to see the pictures of your Charlotte’s, so please send them to info@griffintheatrearts.com
Goblin Market Resource Pack
English Folklore
What is English Folklore?
Folklore is defined by the English Oxford Dictionary as “the traditional beliefs, customs, and stories of a community, passed through the generations by word of mouth” or a body of popular myth or beliefs relating to a particular place, activities, or group of people”.
In other words, English folklore is the collection of tales and stories that have been passed down through the years (usually through oral storytelling or songs) that show us what people in the past believed. In the modern world in which we live, we often call these myths and legends (stories that have no real grounding in historical or scientific fact), but to our forefathers the messages and creatures in these stories would have been very real and informed their way of life.
Some England’s folk stories and creatures have very clear allegorical messages within them. For instance the tale of Jenny Greenteeth a Lancashire water-hag who grabs the ankles of people who walk by streams and rivers, also known in Northern England as Peg Power, said to inhabit the River Tees, was a warming to children to be careful when walking by rivers.
Oral Storytelling and Ballads
Passing myths and legends down via word of mouth was vital to the survival of English folklore. A large majority of England’s working class population was illiterate right up to the introduction of the Elementary Education Act in 1870 (although this was not fully enforced until later that century), which saw the introduction of compulsory education of all children aged 5 – 12 years of age.
Therefore news and stories were passed from town to town and down generation to generation via word of mouth, through story, songs and poems. The ballad was a poem or song that told a story through a series of short stanzas (verses) and is particularly associated with English and Irish literary traditions. It is common for the authors of traditional ballads to be unknown, although the form of the ballad has also been used by modern poets. For examples Oscar Wilde’s The Ballad of Reading Gaol – a true story written by Wilde during his exile in France, and based on his knowledge of a fellow prisoner, murderer Charles Wooleridge who had been executed at the jail.
English Folk Stories and Creatures
England is rich with folk stories and creatures. Define the term and ask if the children know any folk lore characters off the top of their heads? One of the most famous is Robin Hood.
Ask the class who has heard of Harry Potter? J.K. Rowling used a lot of creatures from English folklore in her books: witches, wizards, boggats, Goblins, elves, and Grims are just a few.
Do the class know any more stories with creatures in?
- Elves and the Shoe Maker
- Meg and Mog
- Roald Dahl’s the witches
The oldest English folk tale recorded is that of Tom Thumb – the adventures of a boy who is no bigger than a thumb! Some creatures and stories from English folklore are specific to a part of England, for instance Robin Hood is associated only with Nottingham; whereas others can be found across the land. The black dog is an excellent example of this – a big, black ghostly dog whose appearance is the portent of death can be found recorded across the country under different names and has been the inspiration for many English authors. In Yorkshire, the black dog is known as either Barghest or Padfoot (the name of the werewolf Remus Lupin in J.K. Rowling’s Harry Potter books); whereas in Devon the Yeth Hound (Sir Arthur Conan Doyle used the Yeth Hound in his Sherlock Holmes story, The Hound of the Baskervilles).
Below is a list of creatures found in English folklore all over England – although like the black dog, they may have specific names depending on the region.
Chart of Creatures from English Folklore
Creatures in this chart will be used in English Folklore Creative Exercises
| Creature | Definition |
| Brownies | A type of household spirit found in the North of England and Yorkshire.Brownies are secretive creatures who only appear at night and live in disused parts of the home. Brownies love receiving small gifts or food, but if you dare to call these gifts payments, the brownies will disappear never to appear again! |
| Boggarts | A naught, short, hairy and smelly house-fairy! Boggats causes objects to disappear, milk to sour and dogs to limp! Never give a boggat a name or they will follow you wherever you go, causing mischief all the way! |
| Corn Dollies | Long ago is was believed that the spirit of the harvest lived in the corn fields, so when it came to harvest time farmers would make a little doll out of the last bundle of hay, known as a sheaf. The farmers would keep their corn dolly safe and warm in their house over the winter, believing that inside the corn dolly was the spirit of the harvest safe and snug.Then when it came to spring and time to plant the seeds for the next season and plough the land; the corn dolly would be returned to the field in order for her spirit to run free in the new harvest. |
| Boggle | A boggle is a hobgoblin in the East of Yorkshire. Boggles are mischievous “little people” who were thought to live in caves along the coast. At Robin Hood’s Bay, a small fishing village near Whitby, there is a place called Boggle Hole where these creatures were thought to have lived. |
| Cunning Folk | A name used in the Midlands for men and women who practised magic. These people were not frightening like witches, but were seen as useful people to have around! |
| The Hedley Kow | The Hedley Kow is a mischievous elf, who likes to trick people by changing his shape. In one story he changes his shape from: a pile of gold, to a lump of silver, to a chunk of lead to a large rock before finally turning back to his own shape and running off in glee. |
| Lob | A lob is the giant hairy son of a witch and the Devil. The Lob carries out housework for a saucer of milk and a place in front of the fire. |
| Robin Goodfellow or Puck | Maybe one of England’s most famous fairy and a character in William Shakespeare’s play A Midsummer Night’s Dream and Rudyard Kipling’s children’s fantasy book Puck of Pook Hill.Puck is playful nature sprite who is famous for playful pranks and practical jokes. If you’re lucky, Puck may help with some household jobs, if not he will play a trick on you! |
| Wyrm | A wyrm is an Old English word for a dragon! One of the most famous Wyrm’s in English folklore is the Laidly Worm of Spindleston Heugh – the story of a northern princess turned into a wyrm (or dragon) by her wicked stepmother and rescued by her kind brother who kisses the dragon rather than slaying it. |
The Pre-Raphaelite Era
Initially a secret society, the brotherhood had shared ideals in regards to the presentation and composition of art, and declared their purpose was:The Brotherhood of the Pre-Raphaelites was formed in London during 1848 and was a society of English poets, painters and critics. The brotherhood consisted of seven men:
William Holeman-Hunt, John Millais and Dante Gabriel and William Rossetti (Christina Rossetti’s older brothers), James Collinson, Fredrick Stephen and Thomas Woolner.
- To have genuine ideas to express
- To study Nature attentively, so as to know how to express those ideas
- To sympathise with what is direct and serious and heartfelt in previous art, to the exclusion of what is conventional and self-parodying and learned by rote
- To produce thoroughly good pictures and statues
The society rejected what they saw as the negative influences of classical poses and composition, and was instead influenced by Romanticism believing freedom and responsibility were in-separable concepts and should thus be expressed through their work. The Pre-Raphaelites instead called for a return to the detail, colour and composition of the rich Italian and Flemish art of the 15th Century.
Furthermore, Pre-Raphaelites were heavily influenced by and captivated by medieval culture, valuing the spirituality and creativity that they felt had been lost in the modern world. This pre-occupation in the medieval era is strongly reflected in the subject matter of Pre-Raphaelites work.
Christina Rossetti
5 December 1830 – 29 December 1894
Christina Rossetti – Biography
Christina Rossetti was an extraordinary poet from an extraordinary family. She was the youngest child of Gabrielle Rossetti and Frances Polidori. Her father was a political exile and her mother was sister to one of Lord Byron’s close friends. Her siblings, Dante, William and Mary were also very artistic, and her brother Dante was at the forefront of the Pre-Raphaelite Brotherhood (a group of English writers, poets and artists who wished to reinvigorate the academic teaching of art, by returning to the artistic ideas of Renaissance art before the classical influences of Raphael and Michelangelo).
So from a young age, Christina Rossetti was surrounded by great artists and revolutionary scholars. Educated at home by her mother, she grew up on a diet of Scott, Keats, Italian writers; religious works, classics and fairytales, and these influences are strongly reflected in her literary work.
Christina began writing poetry around 1842 (aged just 12!), and her early writing demonstrates the poet playing with verse form and rhythm, and a pre-occupation with the romantic traditions of death and loss. The interests and playful style Rossetti demonstrates at an early age, can be seen in not only her first volume of published work but also her most famous, Goblin Market and Other Poems. The volume was published in 1862, when she was 31 years old, and it catapulted her into the Victorian literary limelight. Rossetti received wide spread praise for her work, and the Goblin Market took up its place in the English literary tradition as a well loved Children’s poem.
After the success of the Goblin Market and Other Poems, Rossetti wrote several other volumes, such as The Prince’s Progress and Other Poems and A Pageant and Other Poems. However none of her later works surpassed the brilliance of Goblin Market; it is for this poem, the love poem Remember and the famous carol In the Bleak Midwinter, that Rossetti is best remembered.
Christina Rossetti – Chronology
| 1830 | Born on the 5 December, the youngest daughter of Gabrielle and Frances Rossetti |
| 1842 | Rossetti’s poetry is dated from this year onwards |
| 1848 | Engaged to Jamie Collinson. The engagement is broken when Collinson reverts to Catholicism |
| 1853 | Father retires from work due to ill health |
| 1862 | Goblin Market and Other Poemsis published and receives critical acclaim |
| 1870 | The Prince’s Progress and Other Poemsis published. During this year Rossetti also rejects a marriage proposal from Charles Cayley because of religious differences |
| 1871 | A Pageant and Other Poems is published |
| 1894 | Christina Rossetti dies of Cancer |
| 1896 | A book of new poems is posthumously published by her relative, William Rossetti |
Goblin Market Synopsis
Morning and evening
Maids heard the goblin’s cry:
“Come buy our Orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges
Plump unpecked cherries,
Melons and Raspberries….”
The Goblin’s Market
Christina Rossetti’s famous children’s poem Goblin Market is the tale of two sisters’ who encounter with a pack of Goblins in a mossy glen. The poem starts with the vivid scene of dancing goblins selling their exotic and tempting fruits to maidens. The sisters, Lizzie and Laura, are hidden in the bushes by a babbling brook, watching the goblins and their reaction to the goblin men are quite different. The cautious Lizzie refuses to be tempted by the goblin charms and runs home with her fingers in her ears; but Laura’s curiosity is roused by the strange little men and their magical fruits.
“‘No,’ said Lizzie, ‘No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.’
She thrust a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.”
Laura watches the goblins’ market procession entranced, seeing goblin after goblin pass her by. The goblins’ voices like cooing doves, sounded to Laura “kind and full of loves in pleasant weather”. Laura desperately wanted to buy the goblins’ fruits, but alas she has no money; the goblin men tell her she can buy their fruit with a “precious golden lock”. Laura cuts her hair, dropping a single tear “as precious as a pearl”, and then feasts on the goblin’s fruit.
“She sucked and sucked and sucked the more
Fruits which that unknown orchard bore;
She sucked until her lips were sore;”
When Laura finishes feasting on the fruit, she returns home in a daze, not knowing whether it is day or night.
Laura’s Sorrow
Lizzie is waiting for her sister Laura at the gate of their home and immediately tells her off for staying out so late and in the “haunts of goblin men”. Lizzie reminds Laura of poor Jeanie, a local girl who tempted by the goblins, fed on their fruit and then withered away in longing for a second taste but “Found them no more, but dwindled and grew grey”. Lizzie tells of how Jeanie died with the first fall of snow and now where she is buried even the daisies refuse to grow.
But Laura is not interested in Lizzie’s tale of woe or the cautions she gives, but tells her sister to be quiet and that she will feast on goblin fruit tomorrow.
The next day Lizzie busies herself with the household chores, but Laura sits like one in an “absent dream” and longs for the night. When night finally does arrive, the sisters go to the brook to fetch water. Laura insists on lagging behind, desperately searching for the cry of the goblin men, yet hearing not a sound. Lizzie urges her sister to hurry home with her “O Laura, come; I hear the fruit call, but I dare not look”. Laura turns as cold as stone, as she realises that her sister can hear the goblins’ cry and she cannot; realising that if she cannot hear the cry she can never again feast on their delicious fruit. The sisters return home, and Laura weeps all night.
“Then sat up in a passionate yearning,
And gnashed her teeth for baulked desire, and wept
As if her heart would break”
From that day forth, Laura watched in vain, but never again did she hear the cry of the goblin men, or taste their sweet fruit. As the days and months passed by, Laura became more and more withdrawn, she stopped helping with the household chores and grew weaker and weaker and sadder and sadder. Poor Laura watched her sister fade, and though she heard the tramp of the goblin men, she feared to buy their fruit to comfort her, fearing the price too dear.
Lizzie takes action
Lizzie watched as winter approached and saw her sister dwindling “seemed knocking at death door”, and decided she could watch no more and decides to take action. Putting a silver penny in her purse and waiting only to kiss Laura, she went to the brook, lit only by twilight and began to listen and look, until the goblins came.
Laughed every goblin
When they spied her peeping: Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
When the goblins had gathered around Lizzie, she tossed them her silver penny, asking for “much and many” of the goblin fruit. The goblins then tried to tempt Lizzie to sit and feast with them, but Lizzie refused asking only for the fruit to take home or for her penny back. On hearing Lizzie’s refusal, the goblins became mean and fierce.
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One called her proud,
Cross-grained, uncivil;
Now the goblins began to poke and prod Lizzie, stamp on her and elbow her. They tore her gown and soiled her clothes and finally they held her hands as they “squeezed their fruits against her mouth to make her eat”. But Lizzie stood tall and proud and refused even to open her mouth unless they should “cram a mouthful in” as she felt the syrup of the fruit trickle down her face and lodge in her dimples and skin. At last the goblin men gave up, beaten by Lizzie’s resilience and flung her silver penny back to her and kicked their fruit along the road, leaving not a root or stone behind them. Joyful, Lizzie ran home as fast as she could, still fearful of the goblin’s curse.
Transformation
As Lizzie pelts up the garden to their home, she cries for her sister, telling Laura where she has been and what she has done. Lizzie instructs Laura to drink the juice of the goblin fruit that has lodged on her skin.
Hug me, kiss me, suck my juices
Squeezed from goblin fruits for you,
Goblin pulp and goblin dew.
Laura jumps up from her chair, fearful that Lizzie has tasted goblin fruit for her sake; she cries and begins to hug and kiss her sister. As Laura kisses the juice from the goblins’ fruit touches her lips, but instead of the delight and pleasure she experienced when first tasting the fruit, her lips begin to burn. “Writhing as one possessed she leaped and sung” and undergoes a massive transformation until all pleasure and anguish past Laura falls to the ground as if dead.
All night Lizzie sat by Laura’s side watching for either sign of death or life, until with the morning Laura “awoke as from a dream”, her body and spirit turned back to their former glory.
Laura awoke as from a dream,
Laughed in the innocent old way,
Hugged Lizzie but not twice or thrice;
Her gleaming locks showed not one thread of grey,
Her breath was sweet as May
And light danced in her eyes.
Many Years Later
The poem ends with Lizzie and Laura as grown up women, both wives and mothers, who pass on their story to their children. Laura would warn her children against “The wicked quaint fruit-merchant men” and tell how her sister, Lizzie, had saved her life.
‘For there is no friend like a sister
In calm or stormy weather;
To cheer one on the tedious way,
To fetch one if one goes astray,
To lift one if one totters down,
To strengthen whilst one stands.’
- A copy of the full poem can be found at http://www.bbc.co.uk/poetryseason/poems/goblin_market.shtm
Creative Exercises
Some of the exercises outlined will have taken place during the session, others are ideas for you to further explore the poem.
Introducing Goblins
- A definition of a Goblin: A small, magical and mischievous creature.
The Goblin Game
- Well in our story there are lots and lots of different kinds of Goblins, and to introduce them to you, we’re going to play the Goblin game.
- Introduce different types of Goblins and establish an action (and a sound) for each. Repeat in a various order.
One had a cats face: Cat like action and meow
One whisked a tail: Arm behind and say “whoosh”
One trampled at a rats pace: scamper like a rat
One crawled like a snail: slow motion like a slimey snail
“Come buy, Come buy” – The Goblin Cry: Repeat back “come buy, come buy” - SC to talk secretly to these children about being her Goblin helpers during the story.
The Sound of the Goblins
- Create a Soundscape of the Goblins. The workshop leader reads the following script section. Ask the class to listen out for different sounds that they might here as you read the section:
Laughed every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel- and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter-skelter, hurry skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes, -
- Now divide the group into a maximum of 6 groups.
- Give each group a section of the extract, they must pick out between 1 – 3 sounds that they can repeat over and over again.
- The workshop leader will then take on the role of the conductor. Instruct the class that when your hand is near to the ground they have to do their goblin sound very quietly, and when it is high in the air, they have to produce their sound very loudly. Instruct them that when you want them to stop you will close your conducting hand. Tell the groups that they have to start making their sounds (at a normal level) when you point at them. Point at each group until they are all making a sound. Then conduct the sound.
Introducing the Goblin Fruit
- The Goblins in the Goblin Market sold delicious, mouth watering, gorgeous fruit!
Ask the group what type of fruit the Goblin’s sold? Agree to their ideas, and explain that there were also some more unusual fruits.
“Swart-headed Mulberries,
Wild Freeborn Cranberries,
Crab-Apples and Dewberries,
Pineapples and Blackberries,
Apricots, Strawberries”. - Show the pictures of fruit from the examples below. Hand around some for them to try and react to!
- Ask the group to form a circle. Go around the circle and allocate them to be a cranberry, apricot or plums. When you say their fruit, they have to run around the circle, the last person back is out.
- If you say “Come buy, Come buy”, they have to repeat (with the action), as per the action game, the last person to do so is out.
- If you say Goblin Fruit – everyone has to stand and run around the circle. The last person back is out.
Creating Fruit
- Using papier-mâché and balloons, your class could create larger than life versions of the Goblin fruit. Use the images of the fruit from the Goblin Fruit exercises to help inspire the children.
Creating the Glen
- Almost ready now to tell the story, but there is one more thing, that we have to sort out.
- Explain to the group that this story is set in two places in a mossy glen, where there is a beautiful brook, with long stemmed rushes and in the two main character’s (Lizzie and Laura) farm. Explain that in order to really understand the story we need to create a map of this so we can imagine exactly where the story is set.
- Ask the group to form two parallel lines, and roll the paper down the centre of the lines.
- Walk down the lines describing what the children could draw at this section:
Lizzie and Laura’s farm – the farm house, the dairy, the chickens in the yard, the animals etc, wooden gates and fiends and walls
The path between the farm and the glen, through a corpse of trees, through furze (thorny, ever green shrubs with yellow flowers), through a dingle – deep and narrow path between two big hills
The Mossy Glen – a long and deep valley, with flowers, and trees and steep hills, and a beautiful blue brook with rushes, stones and fishes. - The children draw the section described to them. Then as a group we look at the journey from the farm to the rushy brook.
- Further developments: Create a poster using either A3 or A4 paper, create a poster warning people about the Goblins and display near your group drawing
- Creative writing inspired by the setting of the poem, exploring the five senses. This could be a poem or a scene description.
Whoosh
- A whoosh is an interactive way of telling a story. To being with, the class must sit in a circle. The storyteller begins to tell the story of the Goblin Market (it is good to have loads of adjectives in the story), and as she does, the storyteller taps pupils on their shoulders. As she taps them on their shoulders, the pupils have to enact the storyteller’s words. When the storyteller says Whoosh, the pupils have to clear the circle, and the story continues with a clear playing space. It is good to do an example before starting this exercise.
- Once you have played the whoosh with the group, show the pupil’s five different instruments. Tell the groups that the instruments represent five different feelings: happy, sad, excited, scared and angry.
- Ask the group to think about the Goblin Market story. Then depending on the age and ability of the group you can either do this as a whole group exercise, or in smaller groups, ask them to think of different parts of the poem when the characters Laura and Lizzie might have felt each of the five emotions. With each suggestion from the groups, play the instrument examine why she felt the way the group suggested and why the emotion is appropriate – sometimes there may be two or three instruments that are playing at the same time.
- You could then either storyboard the story of the Goblin Market, with the instruments marked on, and then re-tell the poem or read the synopsis with the children playing the instruments.
Whoosh Script
Once upon a time there was a beautiful grassy valley, known as a glen, and at the bottom of the glen lay a babbling brook, that glittered in the sun light.
During the day, this was a beautiful place for boys and girls to play and fetch water. The birds sang, the grass swished and all was happy and beautiful. But, when the sun began to set and the birds went to sleep, that’s when little boys and girls had to creep – for this was goblin time.
WHOOSH
Every eve at twilight, the goblin men magically appeared and what a strange lot they were!
One had a cat’s face,
One whisked a tail,
One tramped at a rat’s pace,
One crawled like a snail,
One like a wombat prowled obtuse and furry,
One like a ratel tumbled hurry skurry.
And each and every goblin was crying out “come buy, come buy our goblin fruits”, tempting anyone around with their delicious, exotic fruit!
WHOOSH
Now one evening, two sisters (Laura and Lizzie) had delayed too long in the beautiful glen, and heard the cry of the goblin men, “Come buy, come buy”. The sisters hid behind tall rushes at the side of the stream, and watched the goblin’s march buy, shouting out “come buy, come buy.
Now Lizzie was a sensible girl and she knew she should not eat the goblin fruit, and said
“‘No,’ said Lizzie, ‘No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.’
She thrust a dimpled finger
In each ear, shut eyes and ran
WHOOSH
But Laura was a braver girl and stood her ground, watching the goblins and listening to their sound. When the goblins saw Laura they began to coo to her like doves, and stroking her persuaded her to eat their fruit. But poor Laura had no money, so instead she gave the goblins a lock of her golden hair and then feasted on their fruit.
WHOOSH
Laura ran home, and met Lizzie who had been waiting for her by the gate. Lizzie tried to tell Laura off, and even warn her about a poor girl called Jeanie who had suffered much and died from eating goblin fruit, but Laura would not listen.
WHOOSH
The very next day the two sisters returned to the beautiful glen by the babbling brook, Laura was desperate to hear the goblin’s cry and feast on their fruit again. But as the sun set and the birds went to sleep, only Lizzie could hear the goblin cry “Come buy, come buy” – Laura, try as she might, could not even hear a whisper of it.
The two sisters returned home, and Laura wept all night for she realised she would never again here the goblin cry or taste their sweet fruit.
WHOOSH
Now as the days passed by, poor Laura became more and more sad, she became more and more weak and her hair and skin turned more and more grey. Laura pinned for the goblin fruit, she longed to taste it, but alas she had no joy, the goblins appeared to her no more.
Now sensible Lizzie watched her poor sister and worried. Lizzie could still hear the goblin cry and knew that Laura was desperate for their fruit, but feared what would happen to her if she bought the fruit from the goblins. As winter came, Lizzie realised that Laura was so weak and sad, that she would not live to spring time. Lizzie could watch no more, picked up her silver penny and ran into the twilight. Can you guess where she was going?
WHOOSH
Lizzie ran down the glen to the babbling brook, only by twilight and began to listen and look, until the goblins came. She did not have to wait long.
The goblins arrived in a flurry, everyone laughing to see little Lizzie standing so brave out there. They came towards her “hobbling/ Flying, running, leaping,/Puffing and blowing/ huckling, clapping, crowing/Clucking and gobbling”. The goblin’s gathered around Lizzie, who tossed her silver penny to them in exchange with goblin fruit.
Now those mischievous goblins tried to tempt Lizzie to sit beside them and eat their lovely fruit. But Lizzie was both wise and brave, and refused to eat a pip. Instead she asked for the fruit to take home or her silver penny back.
WHOOSH
Now goblin men like to get their own way and the more Lizzie resisted the angrier they became. The goblins stopped trying to tempt and woo Lizzie and instead began to grunt and snarl. They called her proud and poked and prodded her, they tour poor Lizzie’s clothes and eventually they held her hands as they tried to force the fruit into Lizzie’s mouth.
But Lizzie stood tall and proud and never, no not once opened up her mouth unless ad drop of juice should fall in, but felt the juice all over her, slopping on her skin. At last the goblin men gave up and flung Lizzie’s silver penny back to her and kicked their fruit along the road, leaving not a root or stone behind them. Lizzie ran home as fast as she could, still fearful of the goblin’s curse.
WHOOSH
Lizzie ran up to her poor sister Laura, who was so tired and weak, and tells her to drink the juice of the goblin fruit that has stuck on to her skin. Poor Laura jumps up from her chair, fearing that Lizzie too has fallen under the goblin’s evil spell by eating their tempting fruit. Now little Laura kissed her sister and as she does the juice from the goblin’s fruit touches her lips. Laura leapt and sprung around and then fainted clear away. Little Lizzie ran to Laura’s side, not knowing if she lived or died, and all the night though she sat there waiting for a sign.
In the morning with the sun’s first hug, Laura’s eves open wide, jumps to her feet, the spell of the goblin fruit has broken, and all is well with Laura inside as well as outside!
Now not in all the land, from forest deep to mountain high, will you find two happier sisters, but beware and do take care, before you eat the goblin’s fare.
Lizzie Thanking Laura – Conscience Ally
- Ask the class to find a partner, and to imaging that they are Laura.
- With their partner have a quick discussion about what Laura would like to say to Lizzie to thank her for braving the Goblin glen and rescuing her.
- Ask the children to practise a short sentence or couple of words to say as Laura to Lizzie, (this can be something they wish to say or their feelings towards her), it doesn’t matter if these are the same as others, but the more variety the better.
- Ask the class to form two parallel lines (each facing their partner), explain that you will take on the role of Lizzie and walk down the rows of Laura’s. As Lizzie walks between the parallel lines, the pupils say the words or sentences to sum up what they would like to say to her.
Magic Toy Maker’s Goblin Market Statues
- Ask each participant to choose their favourite character from the poem (you could remind them of the different types of Goblins, and create a statue of that character.
- Explain that a very famous toy maker from (say where the workshop is being held), has made clockwork statues of all of these toys, so they come to life for 10 seconds when he uses his big clockwork key.
- However, the toy maker doesn’t realise that the toys are actually magic. When he leaves the room, the toy statues come alive!!! But when he comes back in to the room they freeze completely. Play this for around 5 minutes, ending with all the toys being wound up.
Creating your own folk tale
- Now that you have heard Laura and Lizzie’s story, you can now create your own one, inspired by characters and creatures found in English Folklore.
- First of all using the Chart of Creatures from English Folklore, select up to four creatures. For each creature, read out the description, ask them to create statues of each one. If you are doing this in pairs, select chosen pairs, to stand in front of the class. Discuss what we like about each statue? How do they demonstrate each creature? What can we tell from their body language?
- When we have a character for each of the four, ask the class to each embody that character and move around the space as it. Now add a phrase and an action for each character.
- Play the action game using each of these characters – the Goblin Game above is an action game and will provide an example of what to do. Add Story Time, which involves each pupil sitting crossed legs and pretend to read a big story book)
- Creating stories… Now we know all these characters let’s create some stories about them. Ask the class to form pairs and sit opposite a partner in two long lines. Select an A & B. Ask A to start, give a stimulus.
- Start with some simple stimulus such as: pot of gold, run away horse, smugglers, a magic potion and a flying carpet. Then use the creatures from English folklore, asking A to create a story using the characters that we have just created, talking non-stop for 30 seconds to a minute (allow a bit more time as you go on). Repeat with B, and so on and so forth.
- Finally ask the group to feedback some of the stories that they have created through the exercise.
We hope that you have enjoyed taking part in the Goblin Market storytelling workshop sessions with Griffin Theatre Arts. We’d love to see any work or images that you have created inspired by the sessions, so please feel free to send these to info@griffintheatrearts.com
For more information on the work of Griffin Theatre Arts please go to www.griffintheatrearts.com or telephone 0114 221 0241
Terrific Tales – Family Literacy Project
Griffin Theatre Arts delivered this successful creative project in June and July 2012. Terrific Tales was a creative project in which parent groups from Sheffield primary schools, created stories through drama and creative writing activities, inspired by Yorkshire and Derbyshire folklore for their families.
Children and parents also worked with a professional theatre designer to create set and props for the stories. The project culminated in two memorable performances of the stories, by the parents for their families, using the art work created by the children. The stories were shared at a Celebration Sharing at The Montgomery Arts Centre as part of the Cultural Olympiad, and back in the schools. The project was extremely successful, and as well as being described as “a wonderful experience”, “tremendous fun and really stimulating”, feedback also stated that participation in the project felt like “a real strengthening of school and parent/community links”.
Activities used in the sessions and feedback from the project can be found by clicking the links below:
As part of the Terrific Tales celebration, we commissioned a new song inspired by the work created and local folklore, and we’re happy to share it with you:
What’s Next…
Once Upon A Time… will be a creative workshop tour into Sheffield region primary schools, libraries and community venues for 5 – 9 year and families. We will share local myths and legends, together with the brand new Sheffield stories created through our Terrific Tales family literacy project, in a culturally rich and creative experience. Contact us on 0114 201 0241 or info@griffintheatrearts.com to find out more!
The Sheena Amos Youth Trust (SAYT) is an independent young people’s charity based in Sheffield, UK, who have been running all kinds of sexual health projects in partnership with young people since 1999. SAYT approached Griffin to deliver two, two hour workshops for their Side by Side group.
Side by Side is their LGBT peer education project delivered by volunteers aged 16-19 and available for schools, colleges and other youth organisations across Sheffield to book. It uses drama, group work and discussion to raise awareness of issues faced by LGBT young people, challenge homophobia and present positive and realistic images of what it’s like to be young and LGBT in Sheffield. Members of the volunteer team are also available to give staff training or talks around LGBT issues. To find out more visit their website at: http://sayouthtrust.org.uk/what-we-do/side-by-side.
Griffin Theatre Arts delivered an Introduction to Theatre of the Oppressed workshop, focussing on Forum and Image theatre, for the Sheena Amos Youth Trust (SAYT) on the 20 September 2012. Click here for the Introduction to Theatre of the Oppressed workshop plan.
For more information on Theatre of the Oppressed, we highly recommend reading:
Games for Actors and Non-Actors (second edition) by Augusto Boal, Translated by Adrian Jackson. Routledge, Oxon, UK (2002)
The following websites might also be of particular interest:
http://www.nayd.ie/files/image/Theatre-Forum-Resource-web2.pdf
http://www.theatreoftheoppressed.org/en/index.php?nodeID=4
http://brechtforum.org/abouttop
http://organizingforpower.files.wordpress.com/2009/03/games-theater-of-oppressed.pdf
http://en.wikipedia.org/wiki/Theatre_of_the_Oppressed
The Sheena Amos Youth Trust (SAYT) is an independent young people’s charity based in Sheffield, UK, who have been running all kinds of sexual health projects in partnership with young people since 1999. Griffin Theatre Arts delivered the workshop for their Side by Side group, a LGBT peer education project delivered by volunteers aged 16-19 and available for schools, colleges and other youth organisations across Sheffield to book. It uses drama, group work and discussion to raise awareness of issues faced by LGBT young people, challenge homophobia and present positive and realistic images of what it’s like to be young and LGBT in Sheffield. Members of the volunteer team are also available to give staff training or talks around LGBT issues. To find out more visit their website at: http://sayouthtrust.org.uk/what-we-do/side-by-side.








